All posts by Julie

blurbs: No Holds Bard

THE STORIES

Couched in a Curious Bed
Erin Horáková
Having lost his youngest son, a shaken but still-living York is determined to bring the War of the Roses to a swift end – preferably one that will benefit his family. The Lancastrian queen and heir are dead, and, medieval diplomacy being what it is, the best hope for peace lies in a highly unexpected royal marriage.

The Lord and Christopher Sly
Vanessa Mulberry
Christopher Sly is a wastrel with nothing to his name but a handsome face, but he’s always intrigued the local Lord. When he finds Sly drunk outside an inn, the Lord decides to play a trick on him and give him a taste of a better life.

In Fair Verona
Julie Bozza
Adventures naturally befall Lord Byron while he travels through Europe, but all are deliciously surpassed when he is visited by an apparition in the book-lined parlour of an old palazzo in Verona.

Under the Veil of Wildness
Adam Fitzroy
It isn’t only contemplation that Hal’s obscured under the veil of wildness; also growing like the summer grass, wildest at night, is another personality – a female one, Arietta. When a French spy discovers Hal’s secret, trouble follows – but the sequence of events is not what either of them had been expecting…

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stories: In a Dark House

art by johnhain on Pixabay

This story follows a character or two from Twelfth Night into a future beyond the play. The story grew from a seed planted so long ago I can’t remember quite when or where.

I once read in a scholarly tome that if we are looking for queer characters in Shakespeare’s work, then we needn’t rely only on the relatively explicit declarations of same-gender love from characters such as Mercutio in Romeo and Juliet, Antonio in Twelfth Night, or Antonio in The Merchant of Venice. Disclaimer: These can be interpreted as declarations of affectionate friendship, of course, rather than romantic love or attraction.

If we are looking for queer characters, however, we might also consider the characters who are left alone at the end of each play. This particularly applies to the “comedies”, in which most of the main characters are finally paired up in heterosexual couples, and left to a (presumably!) happy ending. For me, the fact that the Antonios in Twelfth Night and Merchant of Venice are each left to walk away alone at the end of their plays, only reinforces my romantic interpretation of their devotion to Sebastian and Bassanio respectively.

So, I wondered, all that time ago … what about Feste? He is, as I’m sure you remember, the Fool in Twelfth Night, belonging to the Countess Olivia’s household (though having been long absent) and also welcome to visit and perform for the Duke Orsino.

Shakespeare’s fools are usually clever and funny, and adept at using language to score a witty point. They entertain a court or household, in the traditional role of jester – but they also challenge people by speaking truths, and turning expectations topsy-turvy. In these ways, they could be seen as operating in a queer space, outside the social norms.

Given all of that, and that Feste is one of the few main characters left alone and unmatched at the end of Twelfth Night, I felt it wasn’t unreasonable of me to write him as queer.

So, what would he do next, once he has performed the play’s concluding song and the curtain has fallen? Would he stay with his newly married mistress Olivia, or would he go wandering again? And if the latter, then where…?

You might care to read my story to find out one possible answer!

stories: In Fair Verona

“The Death of Mercutio, Romeo’s Friend” (1904) by E. A. Abbey (Source: Wikimedia Commons)

My second story for this anthology was In Fair Verona, which features a character from Romeo and Juliet. Well, I couldn’t let this queer Shakespearean anthology go by without claiming a spot for Mercutio, could I? I’ve spent most of my life convinced that he was deeply in love with Romeo, after all.

At the time this thought occurred to me, I was reading the English Heritage anthology Eight Ghosts, and writing my own ghost story, An English Heaven. So, in a spectral mood, I wondered whether there are some ghosts out there who aren’t the remnants of human beans – but of strong characters from literature? We authors often like to say that characters take on lives of their own… What if some of them continue on beyond the inspiration and even the life of their author, in a kind of literary afterlife?

If so, then Mercutio certainly has the chutzpah to exist in his own right. And he might be found in a number of places, but one of them could certainly be Verona… And who else has visited Verona, and might encounter him…?

Enter Lord Byron and entourage, with a suitable flourish. Though the timeframe is neither here nor there, I set the story in early November 1816, when Byron travelled to Verona with his friend Hobhouse. Though I admit to conveniently ignoring Hobhouse (let’s pretend they went their separate ways while in town), I did draw on some of Byron’s thoughts on Verona, to be found in his letters.

And I have to admit to feeling rather pleased with the results… I hope you might give it a try – and if my story isn’t quite the thing, no doubt you will find something else in this quixotic tome to bewitch you!

An English Heaven

Blurb: A muddy trench in France during the Great War wasn’t the most auspicious place for Tom and Michael to reach an understanding of their own natures. A small, individual tragedy unfolds … But then Tom discovers a place beyond, where he and other men like him are blessed with all that life denied them.

Genre: LGBTQ+ fiction; historical; ghost story; short story

Word count: 1,100

Available in ebook format from:

Reader sites:

Published on 15 December 2017.

stories: An English Heaven

This story had an odd genesis … though I probably always say that, so maybe they all do!

English Heritage recently released an anthology titled Eight Ghosts, which features eight ghost stories set in various English Heritage properties. The authors include Sarah Perry, Kamila Shamsie and Jeanette Winterson. Following this, English Heritage ran a short story writing competition in which members were invited to write their own ghost stories along similar lines. There was a 1,000 word limit, which I found a bit of a challenge, but I was determined to have a go.

Of course I wanted to feature LGBTQ+ characters, so I started with a search of English Heritage’s LGBTQ History pages – and promptly discovered William Lygon, 7th Earl of Beauchamp, who lived for some years at Walmer Castle on the Kent coast. Mr B and I had visited Walmer Castle during a holiday a while ago, so I already had a feel for the place. And it seemed an obvious location for the story that was growing from its initial kernel of an idea.

Photo of Walmer Castle by Nessy-Pic, sourced on Wikimedia Commons.

I dashed out about 1,100 words which caught the substance of it, and then started paring it back down to just under the limit. I didn’t know how strict they would be, so I didn’t stop editing until the final word count (including the title, author name and section markers) was 998 words.

Continue reading stories: An English Heaven

Call to Arms

Modern LGBTQ+ fiction of the Second World War

Blurb: Seventeen stories, thirteen authors, a second war. Once again Manifold Press’s writers explore the lives of LGBTQ+ people and their war-time experience in cities, towns and countryside across the world.

Amidst war and peace, in the thick of violence or in an unexpected lull, these stories of the Second World War take the reader far and wide: through Britain, Europe, Asia and South America, from loss and parting to love and homecoming. As for home, it may be an ordinary house, or a prison camp, or a ship: but it is, in the end, where you find it, however far you have to go. Read this book, and make the journey yourself.

An anthology edited by Heloise Mezen and featuring authors Julie Bozza, Barry Brennessel, Charlie Cochrane, Andrea Demetrius, Adam Fitzroy, Elin Gregory, Sandra Lindsey, JL Merrow, Eleanor Musgrove, R.A. Padmos, Michelle Peart, Megan Reddaway, and Jay Lewis Taylor.

Genre: LGBTQ+ fiction; historical; contemporary; wartime; anthology

Click here for the blurbs.

Word count: 94,500

Available in ebook and paperback formats from:

Reader sites:

All proceeds will be donated to the British Refugee Council (Registered Charity No. 1014576).

Published on 1 November 2017.

blurbs: Call to Arms

THE STORIES

An Affirming Flame
Jay Lewis Taylor
Berlin, July 1939. In the hot weather Patrick Lawson, music student and English tutor, has managed to ignore signs that all may not be well for at least one of his friends. It takes a piano in the wrong house, and then a missed train, to push him nearer to the truth than he might like.

Extraordinary Duties
Elin Gregory
In the early days of the Second World War, every man and woman is expected to serve their country, but sometimes the most unexpected people are called upon to fulfil extraordinary duties.

The Boy Left Behind
Eleanor Musgrove
Henry is used to people staring at her, with her men’s clothes and her peculiar ways. She and her girlfriend Rosie have stopped paying attention to the gossip and built a cosy home together. But when evacuation drops ten-year-old Tom into their life, Henry can only hope that he’ll accept her as she is.

The Man Who Loved Pigs
Megan Reddaway
When MI5 wireless operator Mike Bernsey meets a stranger in the London Blitz, it feels like something special. Eddy’s unforgettable. But for Mike, there’s no love without betrayal.

We Live Without a Future
Julie Bozza
With their home in London destroyed in the Blitz, Leonard and Virginia Woolf find what peace they can in a village near the Sussex coast. But with German and British planes grinding overhead, and the looming threat of a Nazi invasion, there is never enough peace to be had. There is never enough.

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reviews: Call to Arms

Historical Novel Society: review by Viviane Crystal

Excerpt and conclusion: “We Live Without a Future” by Julie Bozza recounts the last days of Virginia Woolf, in which she treasures and questions her relationship with her lover and husband, dispassionately thinking she needs to free them both. … Sandra Lindsey’s “Between Friends” makes a significant statement about all these relationships: “desire and lust are easy to understand and easy to answer. Love requires more care.” … An interesting, unified but fragmented, and memorably inspiring body of historical fiction.

On Top Down Under Book Reviews with Substance: 5 stars from Kazza K

Excerpt and conclusion: “We Live Without a Future” – Julie Bozza … Not much I can say except it’s beautifully written, is based on fact, and definitely captures the tense mood of the characters and the period. … This is another strong, poignant, well researched and edited anthology from Manifold Press, this time set amidst and around WWII. It follows on the back of their equally good WWI anthology “A Pride of Poppies”. … There are some standout stories but across the board each short is strong and they span several countries, years, and letters within the rainbow alphabet. I would have loved more length with most of these stories but only because they’re so good.

stories: We Live Without a Future

When Manifold Press decided on a new anthology – a companion piece to our Great War anthology A Pride of Poppies, but this time about the Second World War – I thought long and hard about the subject matter. The fact is, I know far less about WW2 than I do about the Great War, so I felt it all too possible that I would have nothing to contribute.

One abiding interest of mine, though, is the Bloomsbury Group and in particular Leonard and Virginia Woolf. I love them both dearly, and for me they are indelibly associated with a great deal of the first half of the 20th century, including the Second World War.

The relationship of each member of the Bloomsbury Group with war was quite complex and individual. There’s a great little article by Roy Johnson exploring their varied actions and reactions on the Mantex site, if you want to explore further. His initial focus is on the Great War, but he includes later developments.

I knew that Leonard and Virginia were afraid of a Nazi invasion of Britain – a possibility that was very real at the time. We tend to dismiss such notions now, because of course we know it never did happen, but it was experienced by people at the time as a genuine fear.

Continue reading stories: We Live Without a Future